Welcome Hannah! Thanks for taking some time to chat about writing. First, a few quick-fire questions: Tea or coffee? Oceans or Mountains? And if you could choose any forest creature to have as a tame pet then which would it be?
Hey Joshua, thanks so much for having me. Coffee! Mountains! Preferably coffee on top of mountains. As to taming forest creatures, after much deliberation I’ve got to say… a moose. Majestic, unorthodox, and unexpectedly deadly!
"...after much deliberation I’ve got to say… a moose. Majestic, unorthodox, and unexpectedly deadly!"
You and I are both Canadian authors, a bit of a rarity on the global writing scene. How did being a Canadian influence or impact your path toward publication? Do you have any bits of wisdom to share with unpublished Canadian writers who are currently querying?
First of all, I’m so glad we connected! Because you’re totally right, being a Canadian author is a bit of a rarity. That’s likely the biggest impact being Canadian has had on my journey; I had to go it alone for a while before I found friends online who wrote similar things. That sounds a bit sad though. On the flip side, I love how cozy the Canadian author world is!
I’d encourage Canadian writers to get established in the online writing communities on Instagram and Twitter. It’s difficult to establish relationships with other writers in real life in a land of big distances and small towns, but they’re crucial!
Fantasy, Historical Fiction, and Science Fiction are genres that are very distinct in my mind but are often grouped together by readers and reviewers. As a writer of all three, what key elements make these genres unique for you? Would you categorize them separately or as three strands of the same branch of fiction?
I think I have to put myself somewhere in between. They’re separate, as in fantasy is magical and stretches beyond the confines of our daily experiences, sci-fi leans heavily on tech and is probably in space or the future, and historical fiction is set within the confines of the past. But the genres certainly harken to one another, at least in the way that I write and interact with them!
So much of fantasy is rooted in history, in the cultures and customs and impressions of former days. So much of sci-fi requires imagining the fantastical, things beyond the world in which we now inhabit. And I, for one, very much appreciate a historical fiction with subtle elements of the mysterious and glimpses of a world which, again, is beyond my own daily existence.
The setting of your upcoming debut, Hall of Smoke, is inspired by the Canadian wilderness and the ever-scenic European Alps. I love this common connection in that my trilogy is set in a wilderness blended from my time spent hiking the Canadian Rockies and memorable trip to the fjords of Norway. How did you handle blending the real and the mythic elements of nature in your trilogy? What is your approach to the natural environment while world-building and how did this come through in Hall of Smoke?
I love that you’ve blended the Rockies with Norway! When I look back at writing Hall of Smoke, I made very few conscious choices about the setting of the book. I’m very much a discovery writer, and I’ll admit that I do little to no worldbuilding ahead of time. Almost every aspect of the HOS world emerged in scene as I wrote and looked through the character’s eyes, though occasionally I chose to reference my own experiences and harvest them for senses, and that’s where the distinct flavours of my childhood in the bush and my time in the Alps started to come forward. I wrote what felt natural, a place I wanted to experience, and it came together as a new world!
"Almost every aspect of the HOS world emerged in scene as I wrote and looked through the character’s eyes..."
Though Viking culture is often depicted as very masculine and patriarchal, I love to remind people that in the Norse myths only half of the warriors that die in battle go to Odin’s feasting hall of Valhalla - Freya demands and receives the other half as she gathers her own forces for Ragnarok in her hall of Sessrumnir. As the author of a Norse-inspired fantasy with a female protagonist, how did you navigate the often-troubled history of Norse representation in fiction and are there any misconceptions about Viking culture that you’re hoping to challenge in Hall of Smoke?
Since Hall of Smoke is more on the inspired side of Viking-inspired side, I can’t say that I directly set out to challenge any misconceptions. But I do love Norse mythology for the complexity and prominence of female figures, and I was weary of Viking books and series with primarily male protagonists, stereo-typically “male” priorities and content. I enjoy those stories too, but I wanted something more balanced. And I wanted a female lead with all the skill, dignity, and complexity of the women in my life, and the women I see between the lines of the history books.
"I wanted a female lead with all the skill, dignity, and complexity of the women in my life, and the women I see between the lines of the history books."
Some of my favorite Viking-themed fantasy storylines come from the world of video games. I know that you and I both share a love of Skyrim in particular! What role do you see video games playing in the arena of fantasy and science fiction story-telling, especially as a writer of fantasy in a more traditional sense?
I do love Skyrim! I think video games are a fascinating and undervalued arm of the SFF community. They combine so many artistic avenues into one form - visual art, music and sound, cinematics, general storytelling, etc - and I think game developers do not get half the respect they deserve.
Personally, I find gaming frees up my mind, giving me a chance to break out of the world I’m currently working in and immerse myself completely in something new. They’re both a tool for me and an ultra-addicting hobby!
Right now you have an untitled sequel to Hall of Smoke on the docket, as well as an adult space opera and an adult romantic fantasy. Can you give us any sneak previews or hints about these tales or when they might be forthcoming in print?
Unfortunately, I can’t say much! But the sequel to Hall of Smoke is slated for release early 2022. It’s a stand-alone set in the same world, roughly a decade after the events of book one, and will feature some familiar faces. The romantic fantasy is a bit of a passion project, something I’m keeping relatively quiet to free myself up for creativity. The space opera - I have a feeling this one will be big, in the sense of it may take me a few years to get it right. But I’m so excited to explore that world more! I also have a Gaslamp trilogy floating out in the ether that I’d love to see in print in the next few years.
Last, but certainly not least, where can readers purchase Hall of Smoke and keep track of your upcoming publications?
Hall of Smoke is available wherever books are sold, in paperback, ebook and audiobook formats. All the latest news is available on my main platform, Instagram, as well as my website. Thanks so much for this opportunity, Joshua!
Joshua Gillingham is an author, editor, and game designer from Vancouver Island, Canada.