Welcome Desi! Thanks for taking some time to chat about writing. First, a few quick-fire questions: Sweet or Spicy? Skiing or swimming? And if you could jump 1000 years into the future or into the past for a day then which would you choose and why?
I most definitely prefer spicy. My dad used to pay my brothers and I a dollar for every hot pepper we could eat whole. As far as skiing is concerned, I’ve never gone. It’s on my bucket list, but I do love to swim. I have an affinity for the water. And, the last question is an overly-zealous huzzah for the past. I’m a historical fantasy nerd, and damn proud of it.
"I’m a historical fantasy nerd, and damn proud of it."
What is your creative process like? Is it explosive and exploratory? Is it carefully calculated and scheduled? Do you stick to a writing schedule or do you write around other commitments in your life?
With three kids and a mountain of never-ending laundry, I have to write around my other commitments, but since my creative process verges on obsessive, I will forego sleep to get it done. I live inside my head, planning and plotting scenes there until I’m ready to put the notes to paper. I’ll often start by researching an era and all of the culture that goes with it. Once the ideas start sparking, it usually takes off like a wildfire. I can’t type fast enough. That’s when the obsessiveness kicks into overdrive to plot characters, arcs, and then scenes. It’s both wild and calculated.
"Once the ideas start sparking, it usually takes off like a wildfire. I can’t type fast enough... It’s both wild and calculated."
Besides writing novels you have also written and directed plays for live-stage theater. In what ways has your work in theater changed your perspective as a writer and how this influences your writing?
No matter the project, the end goal is the same for me: I want both an audience or a reader to walk through the production or story like it’s their own. I want them to feel something that doesn’t let them go for a while. Regardless of the medium, the satisfaction of tears streaming down an audience member’s face or a review from a reader who wants the next story is something I almost can’t describe.
"No matter the project, the end goal is the same for me: I want both an audience or a reader to walk through the production or story like it’s their own."
One of my favourite writers is Mary Robinette-Kowal who co-hosts the podcast Writing Excuses alongside the celebrated fantasy author Brandon Sanderson. Her insights on the podcast have really opened my eyes to many of the gender-biases in Sci-Fi and Fantasy that I was blind to before. Are there any glaring biases that you think need to be addressed in the genre right now?
Considering that history has predominantly been written and recorded by caucasian men, I find it exhilarating to recover lost stories of women and minorities who were anything but submissive and in the background. They are heroes. They are leaders. They are pillars of history. And, their stories deserve to be told.
Your upcoming book Bindle Pink Bruja is a story featuring elements of Mexican folklore involving a jazz club owner in the age of Prohibition. Honestly, I have a hard time imagining a setting more vivid than that for a historical novel infused with magic. How did the setting and the characters evolve in your mind? Did any particular historical figure or folktale inspire the story?
So as not to give too much away, I will merely tell you that the story was inspired by two things: an old tale involving magic dirt, and my own family’s journey to and within Kansas City’s Hispanic communities in the early 1900s. One of the characters, an old abuela, is fashioned after my own great grandmother while the MC is a mirror of myself. The book also includes a few cameos of Al Capone and an infamously crooked councilman from Kansas City, Tom Pendergast.
Through the online writing community, particularly accounts like Folklore Thursday (@FolkloreThurs) on Twitter, I have learned about so many interesting characters, creatures, and tales from folk culture all around the world. If someone were to dive into the world of Mexican folklore which story or book would you suggest they start with?
Take a walk through Mexican Gothic, Gods of Jade and Shadow, and The Beautiful Ones if you’re looking for fictional novels. But, there are so many books out there that have everything from ancient Latin American folklore to scary stories, and common Hispanic folktales, it’s hard for me to choose just one.
You also work as a managing editor for EveryWriter. As new writers try to break into the literary scene it is important that they query agents with well-polished manuscripts. However, staring at long documents for hours on end can give writers ‘snow blindness’ to their own mistakes. Do you have any sage tips for error-catching while proofreading?
I do a couple of things during editing before querying. Actually, I do all of this editing before even giving my work over to beta readers. First, I’ll do a content edit for each scene, making sure they meet their goal in contributing to the story, and cut out unnecessary or clunky prose. Then, I’ll run the scene through Grammarly to find line edits I may have missed. Lastly, I’ll wait a couple of weeks to let my mind rest, and then do a read-aloud edit. Reading your work out loud makes a world of difference.
"Reading your work out loud makes a world of difference."
Where can readers keep track of your latest writing and stay up to date on the publication of Bindle Pink Bruja?
Look out for the release of Bindle Pink Bruja in 2022 from Harper Voyager!
Joshua Gillingham is an author, editor, and game designer from Vancouver Island, Canada.