Q&A with Lyra Wolf
Welcome Lyra! Thanks for taking some time to chat about writing. First, a few quick-fire questions: What is your favorite coffee shop in the world? Who is your favorite 18th century rogue? And if you could have one of the treasures that Loki convinced the dwarves to forge for the gods to save his own neck then which one would it be?
Thank you so much for having me! Let’s see, my favorite coffee shop in the world would have to be Demel, which is a cafe in Vienna, Austria, and has THE BEST pastries I’ve ever eaten. My favorite 18th century rogue is the Italian adventurer—and all around awful man—Giacomo Casanova. Seriously A+ rogue. Who else would you find selling counterfeit mercury? Love him forever. And if I could have any treasure made by the dwarves... hmmm... that would have to be Gullinbursti, because you’d always have a great conversation starter, and never need a flashlight again.
"My favorite 18th century rogue is the Italian adventurer—and all around awful man—Giacomo Casanova. Seriously A+ rogue."
You and I share a love of Norse Mythology; in particular, your work focuses on the trickster god Loki. What elements of Loki’s character do you hope to highlight in The Nine Worlds Rising? Are there any misconceptions you want to challenge? What is it about this Norse god in particular that keeps you coming back to write more books?
The elements of Loki’s character I hope to highlight in my series are really his complexities. He is a trickster. He is capable of doing both good and bad, helping or hindering. Because his nature is chaos, that chaos ends up affecting everyone and everything around him, and not always for the best. I mean, he does try his hardest, but...there’s still probably a 9 out of 10 chance whatever choice he makes is going to result in some cataclysmic event. But that’s the point, Loki just can’t help himself and keeps getting in his own way, preventing himself from ever having any kind of peace, which, in my series, is truly all he wants.
The main misconception about Loki I try to challenge is that he is “the bad guy.” I mean, yeah, Ragnarok wasn’t great, but Loki in the mythology is definitely a figure you can see grow darker and darker as he’s continually pushed, proded, ostracized, and, you know, tied to a rock with his son’s entrails and snake venom dripping over his face. That would give anyone a major case of the grumpies. Villains aren’t born, but made. And I see Loki the “World Breaker” being the creation of the Aesir’s own greed, lies, and broken oaths.
As I mentioned earlier, his complexities are an enigma to me I can’t help but explore and try to figure out. Being an outsider also makes Loki relatable and sympathetic, which is only increased when you factor in his own nature forcing him into a cycle of causing pain which he can’t ever seem to escape from.
However, there is also the darker side of him. That razor edge filled with spite and danger that takes pleasure in crashing parties and airing out everyone’s dirty laundry.
With Loki, there is always a new layer to explore, whether it's trying to figure out his motives to end the Nine Worlds, or answering the question: How would things have been different had the gods shown more (a lot more) compassion?
"Being an outsider also makes Loki relatable and sympathetic, which is only increased when you factor in his own nature forcing him into a cycle of causing pain which he can’t ever seem to escape from."
I have to go on a quick tangent here because you and I share a connection to the wonderful country of Switzerland as my mother’s family emigrated to Florida from St. Gallen. You have a wonderful description of Basel Leckerli (essentially Swiss gingerbread) on your website. What are some of your other favorite Swiss delicacies?
That’s so awesome we share a Swiss connection! Having grown up in a household with a Swiss father, and now living with a Swiss spouse, there is never any shortage of Swiss goodies. Some of my favorite delicacies are Basler Brunsli, which are chocolate almond cookies, and kirsch filled chocolates called Kirschstengeli.
On the savory side of things, I will never say no to a good rösti (basically Swiss hashbrowns), or raclette (melted raclette cheese poured over boiled potatoes).
Many authors dream of writing a fantasy series such as you have with multiple books filling out the incredible universe of The Nine Worlds Rising. What advice do you have for authors who are right at the beginning, drafting their first book or simply world-building as they brainstorm?
Ask yourself questions and daydream.
Daydream as much as you can, and start exploring the small parts of your new world first, as this helps to not overwhelm you—you don’t need to know currency systems on day 1. With this in mind, relax and daydream just about a character’s bedroom. Where is it? What’s inside? (Bonus, this also helps you figure out your character!) Say you notice a collection of pink porcelain piggy banks. Where did they get them? Maybe they got them at the marketplace. Oh, there’s a marketplace in this world?
Go there. What other wares do you see? What else is being traded at the market? (See, these might provide clues as to the culture). Is the climate warm or cold? Do people ride horses or dinosaurs? Oh, there are dinosaurs? WELL, now you have an entire NEW set of questions to think and daydream about...Rinse and repeat.
Write down notes of what you see, feel, and smell. Trust your intuition. Soon, a world will start to emerge and you can have a fun and stress free way of bringing your story to life.
Truth and Other Lies is the first book in your Nine Worlds Rising series and features the mischievous exploits of the Norse trickster god Loki. In what ways are reader responses to this book fulfilling your hopes for it and in what ways did reader responses surprise you?
The response I’ve gotten from readers has been beyond all my hopes. They see and understand he is a complex character. He’s a product of not trusting others, and continually having his heart destroyed. Loki does a lot of not great stuff, as you said, “mischievous exploits,” but at the end of the day, he tries to do the right thing. Now, is this only because Thor is going to strike him with his hammer? Probably.
All joking aside, this is a major question I try to ask in the series. Is Loki capable of selfless goodness? Readers are giving Loki a chance and taking this journey with him.
"All joking aside, this is a major question I try to ask in the series. Is Loki capable of selfless goodness? Readers are giving Loki a chance and taking this journey with him."
As far as how reader responses have surprised me...Let’s just say I made a very unconventional choice in explaining Odin’s reason for bringing Loki into Asgard. I wasn’t sure what the reaction would be, and I braced myself for ALL CAPS EMAILS. But I’ve been absolutely delighted how readers have embraced their story, and how I’m trying to explore the myths through this new lens.
The Order of Chaos and That Good Mischief are Books 2 & 3 in The Nine Worlds Rising. I know that when I wrote The Everspring and The Elder Trees, Books 2 & 3 of The Saga of Torin Ten-Trees, it was a completely different experience as compared to the first. What elements of the writing process during the first book coincided with the second and third? What parts of the experience differed? And what did you take away from the process of completing the sequel?
The one aspect of the writing process that remains the same over all books is that I keep to a “three main draft” structure. That is, after I collect my mess of notes and construct a synopsis, which gives me an overview of the story and I can more easily swap things around, I then write a quick first draft, which takes me around five weeks. After letting it sit a bit, I return to it and that’s when I do my main revision, implementing all the changes I kept track of while fast drafting version 1. This takes me the longest, and is also the hardest part of the process, as I’m merging in a bunch of things and small changes have big ramifications. This completed draft 2 is actually readable and is what I send to my editor. Draft 3 is me making smaller changes based on my editor’s feedback, as well as a beta reader’s. After that, it’s all the fun* detailed work like hunting down overused words, making sure character’s eye colors don’t change, etc. (*It is not fun.)
"The one aspect of the writing process that remains the same over all books is that I keep to a “three main draft” structure."
Now, how it has differed is more in the way I’ve learned to streamline and just learning more about my own process and how to optimize. Note apps have been a game changer for me vs writing fifty pages of random blips. This allowed me to make the first draft for book 2 and 3 much faster than it went for book 1, which took me about a year. Of course, a book 1 is always trickier as that’s the book where you are still learning about who your characters are, and the world they inhabit.
What I took away with completing the sequel is a peace knowing that the characters have really come into their own. Whereas we were still getting to know each other in book 1—me trying to set up their story lines. Them throwing tantrums about it— with book 2, they were truly living and breathing and I more or less listened and wrote it down. Book 2 and 3 have honestly become more or less me giving my character’s therapy. I see what their troubles are, how I would LIKE them to be at the end of their arc, and see what I can do to help them get there—usually this is me just making the most awkward situations I can think of to force them to talk about their demons, or as Loki would call it, “icky” feelings.
Can you give us a sneak peek of what your next major project will be? Will The Nine Worlds Rising continue or will you start a new series? Any hints or perhaps a little snippet to get readers excited?
I am definitely continuing on with this series! It is pretty much all I live and breathe now. I am finally nearing the end of the second revision of That Good Mischief, and I also have a new novella slated for release this fall called Thunder, Blood, and Goats. I am trying to fill out this world as much as I can, and I’m loving every second of it.
Of course, there is another super big project coming later this summer that I think a lot of people will enjoy, but right now it is also super secret. SO, stay tuned on my social media and/or newsletter for that announcement! I really can’t wait!
BUT, as far as snippets go...I think I can share a little something from That Good Mischief.
In this scene, Odin and Loki find themselves in a tavern in a lawless port town on the outskirts of Asgard. Unfortunately for Loki, some people really hold a grudge...
Last, but not least, where can readers find your work and keep up to date on your latest publications?
Readers can find me on Amazon, as I’m currently exclusive with them through KU. I keep my website up to date, and send out a monthly newsletter (subscribers get a free novella, btw!) Otherwise, they can simply follow me on social media, where I post frequently.
Joshua Gillingham is an author, editor, and game designer from Vancouver Island, Canada.