"My favorite magical creature is Al mi’raj from Arabic poetry. It is also known as the Wolpertinger in German mythology, the Jackalope in American myth and the Lepus Cornutus from medieval and early Renaissance times."
I like stories when seemingly weak or underdog characters win in unexpected ways. I’m not particularly religious, but even as a kid I liked the David and Goliath story. Speaking of Goliath- the mythology there is of the Nephilim- the giants who were apparently offspring of demons and humans. That’s interesting. It was when I was a little kid and to me, it probably always will be. I’m a lover of myths that attempt to explain life to believers. There’s a creature from the Ewe tribe of Togo and Ghana called the Adze. The Adze are shape shifting vampires and evolved as a way to warn against the deadly effects of mosquitos and malaria in the region.
"If I had to be best friends with a villian, I would choose the Fratelli family from Goonies."
If I had to be best friends with a villian, I would choose the Fratelli family from Goonies. They were such a bumbling group of silly meanies. I write Middle Grade and Picture Books, so it follows that I would like this group of greedy criminals from a smash hit kids movie. I especially loved Sloth Fratelli but he was a good guy, wasn’t he?
I drink an unnatural amount of coffee while I write. I recently upgraded to a Keurig after a decade of using the same drip coffee maker. Now, I can have a hot cup - fresh every time I need a bathroom break. It’s kinda funny- I was gifted a box of mixed flavor coffee from my wonderful husband and now I rotate through cinnamon, vermont maple, hazelnut, southern pecan and blueberry vanilla and I love it.
"I drink an unnatural amount of coffee while I write."
I often offer to read rough manuscripts for fantasy fiction and one piece of feedback I often give (and sometimes get!) is that the narrative doesn’t feel ‘real’. How do you manage to connect with your characters and express their thoughts and emotions to readers in an authentic way?
Well, thank you for this question because it implies that I know how to make a character come to life and feel ‘real,’ jumping off the page. I am not sure I always do this. There are times that I’ve reread my work and felt the feelings that the characters are reported to be feeling. I’ve cultivated those moments by writing about something that I have a personal, visceral connection to. Feelings are triggered by sensory experiences and if you can tap into the sensory experiences of your reader and make them feel the feelings that the characters are feeling from the lens of their own visceral life experiences...it becomes real for them. They feel like they “know,” the character. Using the five senses can get you where you need to be quickly. Also using observations about human nature and human behavior can create a connection and give insights into how a character might be feeling. The reader might find themselves thinking “I do that too.”
Many authors branch out from writing to provide other services related to the process of making books as editors, graphic designers, and online forum hosts; I call these ‘writing adjacent’ skills. In addition to your writing, you also design incredible author logos to help writers present their brand effectively. What advice do you have for writers who are thinking of exploring the option of offering services using their ‘writing adjacent’ skills?
I think that writing adjacent services help you to build an author platform. If you are launching a writing career out of obscurity - offering a service can help others get to know who you are and where you sit within the writing community. You can cultivate friendships, readership and writing adjacent customers in this way. When it comes time to enter into the querying trenches, having a following of some kind is important. How important? The blog subscribers, twitter followers or insta numbers as a platform are a mystery to most of us, but a general, strong effort to get your name out there is valuable and it shows. It shows you have staying power and that you are willing to work for your place in the industry.
There is an origin story for the bunny in The First Easter Rabbit narrated by Burl Ives from 1976 but I wanted to give my story a classic feel and tie it to another famous rabbit story. I find retellings satisfying because the reader gets to re enter a world they’ve loved before and learn a little bit more about the beloved characters. They get to relive the joy. My version of The Velveteen Rabbit, The Girl Behind the Magic sticks to Margery Williams’ original and has enough of her story for modern children to receive the wisdom that Williams intended about ‘realness,’ coming from the pure source of love. However adding a few more layers of contrast helps this story come to life in a fresh new way. Also there is a little girl in this story and I think adding little girls to stories that once had boys as the only protagonist is a fresh take too.
"However adding a few more layers of contrast helps this story come to life in a fresh new way. Also there is a little girl in this story and I think adding little girls to stories that once had boys as the only protagonist is a fresh take too. "
You are also a writer of short stories and in your lyrical piece The Hope Goblin, a young girl named Isabelle learns to confront a wicked, bullying goblin. The themes of building one’s own self-confidence and self-image are apparent throughout the rollicking tale. On that topic, how do you feel about instructive literature vs. escape fiction? Where is the line for you as a writer between stories that teach and stories that entertain?
I love escapism as a reader.
As a writer, I must be true to my roots, and instructive literature comes out in me in earnest. I was an English teacher overseas in the Peace Corps, Uzbekistan and then also independently in China. I taught 8th grade writing in Texas as well as ESL to adults and kids. If teaching is breaking something down to its simplest components to be able to build- students in tow, a thing to its theoretical completion- this is how I approach most things in life. I am a parent and I utilize those skills. I love to cook and paint abstract pieces and I do graphic design. I use the skill of looking at the building blocks and ingredients to get to a desired result in those areas too. I think this is why I like writing for kids. Simplifying may seem just that...simple...but it’s a lifetime thus far of developing the skill of breaking things down in order to teach it... I think I bring this skill to the table as a writer too.
"Simplifying may seem just that...simple...but it’s a lifetime thus far of developing the
You have an impressive compendium of mythological creatures on your website, including the little known fairy pig from the Isle of Man known as the Arkan Sonney. What draws you to these creatures and in what ways have other writers responded to your work on that collection?
"We all have similar fears and insecurities too and you find them personified in many of the creatures of myth."
Authors from other countries have contacted me and asked when I am going to do an article on a creature from their culture. I am slowly working through an alphabetical list and so many have said they will be patient until I get to theirs! Others have reached out and thanked me for expanding past what they can find on Wikipedia. I try to cross reference and give examples from several sites so that I am not just replicating what is already easily accessible on the internet. What also seems to be helpful is talking about where the mythological creature has shown up in American pop culture. I find that advertising and product naming ventures pull from International myth and folklore a lot.
"I try to cross reference and give examples from several sites so that I am
What can you tell us about your most recent project? Do you have a few smaller stories on the go or are you working on something big?
I am currently seeking representation for a #STEM, PB series and am very excited about the process. I have a MG Contemporary Adventure based on Aztec Mythology that I am trying to find a home for as well and am also continually working on short stories and creature articles for my blog.
Last, but not least, where can readers find more of your work and stay up to date on your latest publications?
Find A.R. Jung's adaption of Margery Williams’ The Velveteen Rabbit on Amazon: The Girl Behind the Magic.
Joshua Gillingham is an author, editor, and game designer from Vancouver Island, Canada.