Interesting first question for me, because I actually sort of hate sandwiches.
Writing beverages!! I could partake in any type of writing beverage and instantly be put in the typing mood. Coffee, hot chocolate, frappuccino, smoothie, apple cider, they are all on the same level of preference.
This is a tough quick-fire question! It’s hard for me to call any one character absolutely despicable, because there’s always something under that layer of not-niceness. I find villains are typically the most complex characters in a cast. There are so many layers to their backstory that made them into the monster they are. If you take a moment to step in their shoes, see the world through their lens, you may understand how they justify their actions. It doesn’t excuse them, but it does create sympathy, and how can you despise someone you pity? But if I had to choose one, I would pick Maven from the Red Queen series. I don’t want to be 'spoilery', but he did some really messed up things to people he had claimed to love and it made me really upset. I will say though, he has that complex backstory that makes you sympathize with him and some readers actually like him and ship him with the main character - he did not win me over that much.
I find villains are typically the most complex characters in a cast. There are so many layers to their backstory that made them into the monster they are.
What does a productive day of writing look like for you? Are you at home or out in public? Do you typically write thousands of words at a time or just a few hundred each session? Do you write on a schedule or are you flexible?
My writing schedule is controlled chaos. Working a full-time job and managing other adult life things makes it hard to designate specific time to writing. What I do is more of a general weekly writing goal of 5,000 words a week. I write during my lunch break, waiting for my oil change at the repair shop, waiting in a long line at the bank, when I have a free evening at home - you get the idea. Sometimes I don’t make that goal because life happens, but I don’t beat myself up for it, I just partition the extra words between the following two weeks to make it up. Right now I’m not following that schedule though as I’m focusing on short stories, so my writing time/amount of words on the page is even more sporadic than it was when I was writing Creatures Most Vile.
Little did I know I would soon fall in love with writing. One thing I have been my whole life is a lover of books, I don’t know why it didn’t occur to me until I was 21 that I might actually love writing books, too.
So now that I’ve caught the bug, I find I have lots of stories to tell. Stories about girls who find themselves misunderstood and ridiculed by society, girls who fight for their right to live their lives the way they choose, free of retribution.
You are in the process of querying agents and publishers. How have you found that process and do you have any tips for writers who may be getting close to finishing their current manuscript?
Querying is one of the most difficult things I’ve done to myself. I am willingly putting a piece of myself out into the world for strangers to judge and, in my case, reject. That is one of the hardest things to cope with during the querying process- people constantly rejecting something you love with all your heart and poured endless amounts of work into.
So my biggest tip for writers about to start querying is prepare your heart. Be ready for rejection and have some coping strategies to get through it. Most importantly, always keep in mind that rejection is NOT a measure of your talent or self. You’re work is amazing and you are amazing for putting yourself out there and taking this big step towards sharing your creation with the world. Don’t let the rejections define you or discourage you, no matter how many stack up.
My coping strategy is to turn that rejection into fuel to move forward. I have a rejection goals checklist, for every rejection I put a sticker on the board. My current goal is to reach 30 rejections by the end of the year. Those stickers show that I’m not giving up on my dream by turning my rejections into milestones, rather than failures.
Don’t let the rejections define you or discourage you, no matter how many stack up.
Your first novel, Creatures Most Vile, is a YA fantasy rife with terrifying monsters that stalk a young woman named Anora who is navigating the difficulties of trauma and struggling to support her family. Where did you find inspiration for this harrowing tale?
The initial inspiration came from a dream... When I woke up, I wrote the dream down and used that as my base for the story.
The suspenseful scary setting and monster inspirations come from my lifelong interest in all things horror. I'm a big fan of monster movies especially, because I love seeing imaginative takes on biology. Writing my creatures was my favorite part because I got to be the creator and brought my own imagined organisms to life on the page.
Writing my creatures was my favorite part because I got to be the creator and brought my own imagined organisms to life on the page.
Issues surrounding mental health have been given increasing attention in recent public discourse. Through Anora’s story are you trying to address any particular mental health concern or spark a conversation on a particular issue related to that topic?
Yes! The main theme and conversation I want to address is the downplay of mental health in society.
Anora suffers from PTSD and anxiety from growing up in a world constantly under threat of attack from voracious monsters. She has witnessed countless massacres, including her father’s death, and has nearly met her own grisly demise more times than she cares to count. When her storm-wielding powers are discovered and she’s expected to fight these beasts, her mental health is completely disregarded by society. They write it off as a simple fear she’ll get over with time and throw her right into the thick of training without a second thought.
When her storm-wielding powers are discovered and she’s expected to fight these beasts, her mental health is completely disregarded by society.
This is a problem that many people with any form of mental illness face. I suffer from anxiety and had situational depression in the past. I’ve heard comments like “You’re overreacting/ being dramatic”, “Just calm down”, or “Get over it” more times than I should. Downplaying and disregarding any form of mental illness needs to stop. Mental health is just as important as any other health measure, and should be a priority concern with how people treat others, regardless of the kind of monster that person is facing.
Mental health is just as important as any other health measure, and should be a priority concern with how people treat others, regardless of the kind of monster that person is facing.
In speaking with other fantasy writers I find that one of the most common difficulties in building a fantastic world is handling and defining the role and use of magic. How does magic work within Anora’s world and how did you define its boundaries and limitations?
Magic is very rare in Anora’s world. The only manifestation of magic is through rare, supernatural abilities. I’ve drawn a lot from my biology background to define the terms of this magic. It is something you’re born with, a specific gene mutation occurring in a small portion of the population that allows the person to manipulate specific aspects of the environment. In Anora’s case, she can manipulate specific elements: water and air. She can manipulate them individually or in tandem to create weather. Others are born with a manipulation of earth or energy, while others can manipulate more organic materials like muscles, nerves, and brain matter (IE mind control).
With the biological element to how these powers work, there is a finite well to their power that limits them from being super crazy powerful beings. The explanation behind how it works is super science-y and I won’t describe here (I don’t go into full detail in the book either, it’s mainly to satisfy my nerdiness).
There are no magical objects, but there is some imaginative tech developed to help people survive in this creature ridden world.
I’ve drawn a lot from my biology background to define the terms of this magic. It is something you’re born with, a specific gene mutation occurring in a small portion of the population...
Where can readers keep track of Creatures Most Vile on its march towards publication and where stay fans stay up to date on your most current projects?
Creatures Most Vile and I have a long journey ahead of us and I post updates on Facebook, Twitter, and my website. Thank you for your support and hope one day you’ll find Creatures Most Vile sitting on your shelf!
"I can’t stomach olives, that’s the one food I cannot grit my teeth and power through,
What does a typical day of writing look like for you? Do you have any rituals or habits that help to keep you focussed or make your session more productive?
It really depends a lot on the project(s) I’m working on, but more often than not I find my writing to be sporadic. While I do push myself to work every day, the amount of work I get done varies depending on my mood, if I’m rested, or headspace. I am careful not to end up in situations where I am forcing myself to write or feeling pressured to because I believe all of that greatly hinders my creativity. When I do sit down to write though, I will usually listen to some music to get me in the right headspace, never any songs with lyrics or singing, usually background music from video games or orchestral pieces.
What first drew you to writing and what keeps you writing after years of going at it? Do you have specific goals in mind, like publication, or do you write for other reasons?
My first introduction to writing was a high school teacher I had. He really encouraged me to try creative writing and was a supporter in my beginning days. Since graduating, the thing that inspires me is other people’s work, funnily enough, I think especially the work I dislike. When I read, see, or even play a piece of work that doesn’t make me feel anything, my head fills with ways I would have written it differently. I’ve never been the kind of person to have long term goals in mind, and the same rings true for writing. Whether it be a novel, poetry, or a quick short story, my primary concern is to create things I like and am ultimately proud of, but that being said, publishing is also a major goal with Injectable Ashes specifically.
"When I read, see, or even play a piece of work that doesn’t make me feel anything,
You have lived with mobility challenges for most of your life. Do you feel like this influences your writing in the perspectives of your characters or do you not view this as an influencing factor?
I have lived with a nervous system disability for most of my life, so it’s hard to say it doesn’t dictate at least some of my writing. I can say there are absolutely elements that have been addressing my disability metaphorically; in fact, you might be able to break down the entire storyline into one giant allegory. And as much as I preach about separating the author from their characters, eventually, details are naturally going to overlap.
"I can say there are absolutely elements that have been addressing my disability metaphorically;
What was it like to write the sequel to Injectable Ashes? Was it easier or harder? Did anything you thought was going to happen shift dramatically or did it play out as you planned?
It was considerably more stressful working on the sequel. Every creative decision I made required weeks of deliberation and planning. I became a perfectionist because of how much I love Injectable Ashes, not wanting to only match the quality I expect from myself, but to outdo myself. That was something that really weighed me down and made things considerably more difficult to conceptualize. But as for when it came time to put pen to paper and actually write, I was able to find my rhythm quite quickly and pick up right where I left off. Initially, I thought I had a pretty firm idea in how the story would turn out in the sequel, but what I ended up with was something entirely different, and a lot of those difference were changes I didn’t think of until I got to writing those parts.
"I became a perfectionist because of how much I love Injectable Ashes,
What is your next big project? Will you write a third book in the series or do you have something else planned?
I’m taking a break for a while from the novel, but I already have ideas cooking in the back of my mind for a third installment, so that will likely be the next major project I’ll be looking to conquer, until then though I’ll continue writing, working on music, poetry, short stories, or whatever else catches my interest.
To keep up with Brendan and his upcoming projects follow him on Twitter.
To become a novelist has been a dream of mine since I was in single digits. I couldn’t tell you exactly why, but I have always romanticized the idea of being able to walk out on my porch with my laptop to write while I smell the ocean breeze. I do think my numerous experiences help to enrich my character development.
"I do think my numerous experiences help to enrich my character development"
How do you manage your writing schedule and where do you write? Are you highly structured or are you more flexible with when and where you fit your writing time in? Do you write at home or some other place?
I almost always write at home, and if I am writing draft one of a novel, I must be at my desk with a quiet environment or with my sound canceling headphones on. The time of day isn’t as important, only that I am uninterrupted in this process. I tend to get very into the scene and very into the mood of the character, so even answering a quick question, like, “Mom, where is the extra tissue?” can take me half an hour to recover from. Now, I am a lot less rigid with short stories. I can set up in a coffee shop or anywhere around the house and dump those out.
Horror as a genre can be quite polarizing but has always drawn a steady readership. What do you think draws people to Horror fiction and what important things can Horror fiction offer readers who don’t usually read the genre?
I think people are drawn to Horror for different reasons: the adrenaline, for the relief after the scare, for the tropes or monsters themselves. I have always liked to challenge myself, and my first scary movie terrified me, so it became a challenge from that point forward for me to be able to watch scary movies without covering my eyes. For those who don’t typically read the genre, I think many would be surprised to find out how much real life resides amongst the terror; I think, too, that many would be surprised at their ability to stare the monster in the face.
"For those who don’t typically read the genre, I think many would be surprised
"I often come up with an idea after I have heard a certain song
One of my favorite things about my primary source of inspiration, the Norse Myths, is the monsters: trolls, giants, dragons, sea serpents, wights, etc. What is your all-time favorite monster and why?
My favorite monster? That’s hard, it’s a battle between dragons and werewolves, but I feel like I would have to say dragons. I watched Dragon Heart with my father when I was very young, and I have loved them since. Smaug in The Hobbit was just gorgeous, and when Hagrid had his baby dragon, I really wanted my own. Why? Because they are just the coolest! I want to be a dragon so I can live a long time and sleep on a pile of gold.
One of the things that so many new authors get wrong is writing scary scenes; often they are more farcical than fearsome. Do you have advice for writers from any genre that want to add suspense through scary scenes in their novel?
It’s hard to remember, in writing, that a scene should not be approached like it would in a movie, that you aren’t just going for a jump scare, and that the reader can’t “see” the dim light or the thunderstorm going outside, so you have to make them feel it. Get into the reader’s mind, make sure they sense the tension building allllllll the way until you reach that climatic moment where the jump actually happens so that their nerves are already on end and their stomach in knots. That’s when you release the big bad scare and really hit them hard.
"the reader can’t “see” the dim light or the thunderstorm going outside, so you have to make them feel it"
You currently have two titles available on Amazon: Brenna’s Wing and Blood Drops. Do you have any advice for writers considering self-publication through Amazon?
Phew. That’s an open-ended question that could be discussed for hours. It isn’t easy. There are a lot of i’s that have to be dotted and t’s that have to be crossed. Pay attention to detail; have several beta readers read your work; design your cover, let it sit, work on it more, get feedback, then work on it more; comb your manuscript over and over for spelling and punctuation; figure out a formatting method that works for you (With Brenna’s Wing, I used Microsoft Word only and that was a headache and a half. With Blood Drops, I used Scrivener, which made it a lot easier [after I figured out how to use it].); don’t formally announce your book until you have the pre-order available - the internet moves fast and so do attention spans - you want people to be able to buy it right then and there when you make your big announcement; but do offer a pre-order option, if you can get a good handful of pre-orders before your book drops, it helps start you higher in the rankings. That’s all I have for now. Anyone with any specific guidance questions are welcomed to reach out to me.
"if you can get a good handful of pre-orders before your book drops,
Find Blood Drops, W.B. Welch's chilling collection of short horror stories, on Amazon.