Interesting first question for me, because I actually sort of hate sandwiches.
Writing beverages!! I could partake in any type of writing beverage and instantly be put in the typing mood. Coffee, hot chocolate, frappuccino, smoothie, apple cider, they are all on the same level of preference.
This is a tough quick-fire question! It’s hard for me to call any one character absolutely despicable, because there’s always something under that layer of not-niceness. I find villains are typically the most complex characters in a cast. There are so many layers to their backstory that made them into the monster they are. If you take a moment to step in their shoes, see the world through their lens, you may understand how they justify their actions. It doesn’t excuse them, but it does create sympathy, and how can you despise someone you pity? But if I had to choose one, I would pick Maven from the Red Queen series. I don’t want to be 'spoilery', but he did some really messed up things to people he had claimed to love and it made me really upset. I will say though, he has that complex backstory that makes you sympathize with him and some readers actually like him and ship him with the main character - he did not win me over that much.
I find villains are typically the most complex characters in a cast. There are so many layers to their backstory that made them into the monster they are.
What does a productive day of writing look like for you? Are you at home or out in public? Do you typically write thousands of words at a time or just a few hundred each session? Do you write on a schedule or are you flexible?
My writing schedule is controlled chaos. Working a full-time job and managing other adult life things makes it hard to designate specific time to writing. What I do is more of a general weekly writing goal of 5,000 words a week. I write during my lunch break, waiting for my oil change at the repair shop, waiting in a long line at the bank, when I have a free evening at home - you get the idea. Sometimes I don’t make that goal because life happens, but I don’t beat myself up for it, I just partition the extra words between the following two weeks to make it up. Right now I’m not following that schedule though as I’m focusing on short stories, so my writing time/amount of words on the page is even more sporadic than it was when I was writing Creatures Most Vile.
Little did I know I would soon fall in love with writing. One thing I have been my whole life is a lover of books, I don’t know why it didn’t occur to me until I was 21 that I might actually love writing books, too.
So now that I’ve caught the bug, I find I have lots of stories to tell. Stories about girls who find themselves misunderstood and ridiculed by society, girls who fight for their right to live their lives the way they choose, free of retribution.
You are in the process of querying agents and publishers. How have you found that process and do you have any tips for writers who may be getting close to finishing their current manuscript?
Querying is one of the most difficult things I’ve done to myself. I am willingly putting a piece of myself out into the world for strangers to judge and, in my case, reject. That is one of the hardest things to cope with during the querying process- people constantly rejecting something you love with all your heart and poured endless amounts of work into.
So my biggest tip for writers about to start querying is prepare your heart. Be ready for rejection and have some coping strategies to get through it. Most importantly, always keep in mind that rejection is NOT a measure of your talent or self. You’re work is amazing and you are amazing for putting yourself out there and taking this big step towards sharing your creation with the world. Don’t let the rejections define you or discourage you, no matter how many stack up.
My coping strategy is to turn that rejection into fuel to move forward. I have a rejection goals checklist, for every rejection I put a sticker on the board. My current goal is to reach 30 rejections by the end of the year. Those stickers show that I’m not giving up on my dream by turning my rejections into milestones, rather than failures.
Don’t let the rejections define you or discourage you, no matter how many stack up.
Your first novel, Creatures Most Vile, is a YA fantasy rife with terrifying monsters that stalk a young woman named Anora who is navigating the difficulties of trauma and struggling to support her family. Where did you find inspiration for this harrowing tale?
The initial inspiration came from a dream... When I woke up, I wrote the dream down and used that as my base for the story.
The suspenseful scary setting and monster inspirations come from my lifelong interest in all things horror. I'm a big fan of monster movies especially, because I love seeing imaginative takes on biology. Writing my creatures was my favorite part because I got to be the creator and brought my own imagined organisms to life on the page.
Writing my creatures was my favorite part because I got to be the creator and brought my own imagined organisms to life on the page.
Issues surrounding mental health have been given increasing attention in recent public discourse. Through Anora’s story are you trying to address any particular mental health concern or spark a conversation on a particular issue related to that topic?
Yes! The main theme and conversation I want to address is the downplay of mental health in society.
Anora suffers from PTSD and anxiety from growing up in a world constantly under threat of attack from voracious monsters. She has witnessed countless massacres, including her father’s death, and has nearly met her own grisly demise more times than she cares to count. When her storm-wielding powers are discovered and she’s expected to fight these beasts, her mental health is completely disregarded by society. They write it off as a simple fear she’ll get over with time and throw her right into the thick of training without a second thought.
When her storm-wielding powers are discovered and she’s expected to fight these beasts, her mental health is completely disregarded by society.
This is a problem that many people with any form of mental illness face. I suffer from anxiety and had situational depression in the past. I’ve heard comments like “You’re overreacting/ being dramatic”, “Just calm down”, or “Get over it” more times than I should. Downplaying and disregarding any form of mental illness needs to stop. Mental health is just as important as any other health measure, and should be a priority concern with how people treat others, regardless of the kind of monster that person is facing.
Mental health is just as important as any other health measure, and should be a priority concern with how people treat others, regardless of the kind of monster that person is facing.
In speaking with other fantasy writers I find that one of the most common difficulties in building a fantastic world is handling and defining the role and use of magic. How does magic work within Anora’s world and how did you define its boundaries and limitations?
Magic is very rare in Anora’s world. The only manifestation of magic is through rare, supernatural abilities. I’ve drawn a lot from my biology background to define the terms of this magic. It is something you’re born with, a specific gene mutation occurring in a small portion of the population that allows the person to manipulate specific aspects of the environment. In Anora’s case, she can manipulate specific elements: water and air. She can manipulate them individually or in tandem to create weather. Others are born with a manipulation of earth or energy, while others can manipulate more organic materials like muscles, nerves, and brain matter (IE mind control).
With the biological element to how these powers work, there is a finite well to their power that limits them from being super crazy powerful beings. The explanation behind how it works is super science-y and I won’t describe here (I don’t go into full detail in the book either, it’s mainly to satisfy my nerdiness).
There are no magical objects, but there is some imaginative tech developed to help people survive in this creature ridden world.
I’ve drawn a lot from my biology background to define the terms of this magic. It is something you’re born with, a specific gene mutation occurring in a small portion of the population...
Where can readers keep track of Creatures Most Vile on its march towards publication and where stay fans stay up to date on your most current projects?
Creatures Most Vile and I have a long journey ahead of us and I post updates on Facebook, Twitter, and my website. Thank you for your support and hope one day you’ll find Creatures Most Vile sitting on your shelf!
The poleaxe is such a versatile weapon, yet the longsword is arguably the most iconic piece of medieval imagery
This last question is driving me crazy! There’s so many people I want to choose… Vladimir the Great, William the Conqueror, Saladin, Alexander Nevsky, Edward III, Geoffroi de Charney… The list goes on. At the end of the day though, I think I would have to say Henry V. Aside from Shakespeare’s play, Henry V is the most iconic figure of the Middle Ages for me. He has such a thrilling story and it all leads to the Battle of Agincourt, which is my favorite medieval battle.
One of the most difficult things about writing is actually sitting down to write. As an independent author with three novels under your belt, do you have any advice for those who might struggle with just getting their story on the page?
The best advice I can offer is to sit down and write. Just write. Get those words onto the page. You can edit and perfect your story as you go, but you can’t do that when you haven’t written it yet. The most common complaint I get from friends and peers wanting to become writers is that they get stuck in the planning phases, or they have this great idea, but won’t sit down to do it. You can figure out your plans in greater detail as you’re writing. Your great idea needs to be on paper if you want it to go anywhere. Nothing happens if there aren’t words on the page.
Just write. The rest will follow!
Your great idea needs to be on paper if you want it to go anywhere. Nothing happens if there aren’t words on the page.
When it comes to world-building, I have two key pieces of advice:
First, study history. You don’t need to achieve a doctorate degree by any stretch, but having an understanding of the real world aspects of the setting you’re taking inspiration from is massively important. Knowing how people acted during certain events, how political bodies rose and fell, and the technology of the time and how it all worked together is a must-have for thorough world-building, in my opinion.
First, study history. You don’t need to achieve a doctorate degree by any stretch, but having an understanding
Second, always ask the question “Why?” when you create a new piece of the world. Why is this empire an empire? Why did these two nations fight? Why does this village exist where it does? Why did the people within the history of the world do the things that they did? The more you ask yourself that question, the more answers you’re going to come up with, and that is ultimately going to fill in the details of your setting.
Before we get to talking about your book series I want to bring up one of your hobbies: medieval re-enactment. With your hands-on experience in medieval combat techniques I’d really like to know what fantasy writers get wrong about medieval combat. What are the most common misconceptions you encounter in books and movies and how can they be fixed?
I would say, despite the many inaccuracies across books, movies, and video games, the most common incorrect portrayal is how armor functions. Armor is unavoidably such a crucial part of the Middle Ages and how the battlefield evolved - and that wouldn’t be the case if it was only mere costuming that wasn’t effective for protecting folks.
...despite the many inaccuracies across books, movies, and video games,
When we look at history, the bigger wars usually don’t happen because of something that occurred last week.
I would argue that recent blockbuster hits such as Game of Thrones have really whetted an appetite for complex, large-scale fantasy stories among the general readership. However, that type of fiction is not something one just jumps into. How have you managed to handle the long history of a large fictional continent? Do you have endless piles of notes? Have you compiled A Brief History of Aerothos for your own reference? Or do you keep the entire world locked away in your head?
I began with notebooks, but that was a bad move on my part. I lost too many scraps of paper and threw too many notebooks away! Now, I have all of my official notes on my computer, detailing periods of history, family lineages, and so on. But there’s a great deal of it that is kept in my head, since there’s really too much to formally write down (I’d probably never write books if I did!)
The Halryians themselves found their roots in Greco-Roman history, and some of that carries into the Chronicles with their successors, such as the kingdoms of Valtia and Arathen (very much so in a similar way as to say the Byzantine or Holy Roman empires and how they evolved from the end of antiquity and the fall of the western Roman Empire.) There are some other obvious comparisons in Aerothos as well, such as the Kingdom of Rovaskia being based on Scandinavian culture and the Kingdom of Rhodrien largely reflecting England, Wales, and Ireland.
While Aerothos is primarily inspired by Western Europe, I personally have a deep interest in Eastern European and Arabic history as well, which I try to pull a lot of inspiration from.
While I’m certainly inspired by other fantasy works, nearly all my ideas can find their origins in the real world.
What is happening next in Aerothos and where can readers find out more?
Right now I’m working on Part II of the Chronicles of Aerothos, which undoubtedly has a lot of work ahead of it still. I took a detour from Chronicles to write the Tales books, because I wanted to use those works to try new things and develop my writing. Now that I feel prepared, it’s time to return to the Chronicles and continue the epic story! Part II will be a much darker, gruesome story, as our heroes begin to face new challenges that come after the first season of war. The veil of glory and chivalry has been lifted, and now the true horror of war begins to fall upon Aerothos.
The veil of glory and chivalry has been lifted, and now the true horror of war begins to fall upon Aerothos.
I think James McAvoy would be an excellent Jordan Greer.
You have managed not only to balance work and home life, but also produce a steady stream of online content both on your social media platforms and on your website. Do you have any advice for newer authors who feel like they don’t have enough time to maintain an online presence against the demands of writing and of life in general?
That’s very nice of you to say, and my advice would be to not worry about trying to do everything at once. I love hanging out on Twitter and my website, but at the same time, Instagram is a completely different beast, and Facebook is difficult. There are many things to try and stay on top of when it comes to being engaging and doing marketing, and it’s easy to feel overwhelmed. Focus on one thing at a time, and most importantly: write.
Focus on one thing at a time, and most importantly: write.
On your author website you host insightful reviews of books released by both traditionally published and indie authors. How do you feel the review process has affected you as a writer? Does it change your perspective on writing or make you more aware of what it takes to write a great story?
I started doing reviews because I figured, ‘hey, I’m reading all of these books anyway’, but also because I wanted to give back to the community I was becoming a part of (that’s the #WritingCommunity on Twitter). It definitely gives me lots of great inspiration, and it’s very motivating to read all these amazing stories. The best ones are those that make me almost a bit envious because they’re just so magnificent.
It’s easy to get stuck in a headspace where you think got to do what everyone else is doing, but reading indie books have shown me that everyone has a unique style and voice.
One thing I’ve learned from reading all these books, perhaps particularly the indie books, is that there are many ways to write great stories. Sometimes it’s about the words, sometimes it’s about the characters or the plot, and you don’t necessarily have to do it all. It’s easy to get stuck in a headspace where you think got to do what everyone else is doing, but reading indie books have shown me that everyone has a unique style and voice.
Also: reviews are important! If you find the time to write them and leave some stars online, you’re definitely making someone’s day better, whether you liked the book or not, as long as you’re honest.
The fact that it’s simply the dark side of humanity
What draws you to write about criminals and cold-blooded cases? Is it about the action and excitement or is it more about commenting on the dark side of human nature?
I’d say I’m less about the action and more about the excitement, if that makes any sense, and it’s definitely the dark side of human nature that fascinates me.
The plot for The Consequence of Loyalty came to when I was back home on my dad’s farm, tending his pigs. I asked myself how a crime story would play out if instead of wondering who committed a crime, the question was why? The Consequence of Loyalty is exactly this, because we know who the bad guy is from the beginning, we just don’t know why. I love delving into the human mind like that, shining a light on those dark corners in the back.
I asked myself how a crime story would play out if instead of
Not only did you successfully publish The Consequence of Loyalty independently but you have accumulated a host of good reviews for your debut novel. Do you have any sage advice for authors who are preparing to self-publish in the crime or thriller genres? Any pitfalls to avoid or expert tips for first-timers?
Take your time. If I could go back and do it again I’d hold back on pressing that publish button so quickly. There were a couple of things I had to go back to fix after the fact, and I learned a valuable lesson.
I’m taking my sweet time with book two now, which is nearly ready for the press, and I’ve written early drafts for several other projects while I’m waiting for beta readers and editors. At some point, yeah, you have to just go for it, but don’t rush yourself.
Take your time. If I could go back and do it again
The Consequence of Loyalty is the first book in The Columbus Archives. Can you give us any hints as to Agent Greer’s future operatives or what we can look forward to in the next installment of the series?
I’ve planned three books in the series. Number 2 and 3 are both written and book 2 is coming soon. Though they’re a series, they function well as stand-alones, and you’re not going to miss something if you read just one out of them, but there’s obviously going to be things that cross over through the series, particularly with Greer’s life and his career in the FBI. In the second book, another one of Greer’s friends are in trouble, and all I’ll tell you is that he’ll do everything he can to save them. Everything.
What does your writing schedule look like? Is it highly structured or very flexible? Is there a particular location or type of space you like to write in?
I write primarily in the mornings when my son is in kindergarten. But I often end up writing at night if the words are flowing. I’m not at my best in the evenings, but anything to get the words on the page! I used to love writing in cafes or bookstores, but the last few years I’ve tried really hard to make my desk at home as personal and comfortable as I can. I have a stuffed purple dragon on the upper shelf, and I always light a candle from Folklore Candle Co (their scents are literary- and mythology-inspired.) I also listen to lots of folk metal when I write.
"I used to love writing in cafes or bookstores, but the last few years
When I first started writing I was discouraged from writing fantasy if I wanted to get published. However, both you and I have succeeded in getting our works of fantasy published traditionally. Do you have any advice for fantasy authors who are still trying to land that first publishing contract?
Oh goodness, this question is right in my wheelhouse! I struggled early on with finding my niche, and even today I have certain well-meaning family members tell me what I should and shouldn’t write. I cannot stand that type of pretentiousness in literature. Genre fiction authors must fight against it all the time. My advice to any genre fiction author, whether fantasy, sci-fi, fairy-tales, or any type of speculative fiction - write what you love, and never listen to “shouldn’t.” I promise that others - even the big publishers - also love what you love.
"My advice to any genre fiction author, whether fantasy, sci-fi, fairy-tales,
Your current project, an Urban Fantasy novel called Draugr, is the prequel to a series following the exploits of Leif Halfdan. This sharp-tongued immortal character spends his time working as a historical consultant and local detective. In your novel, he’s called to consult at an archaeological dig in Scotland. What were your sources of inspiration for this quirky, cunning character and the world he inhabits?
Oh, Leif Halfdan is such a special character to me. He carries so much on his shoulders and I feel bad for terrorizing him. But then he goes and pulls a numbskull move, and then I don’t feel as bad. He’s someone who desperately wants to do the right thing, and holds himself - and sometimes everyone else - to an impossible standard. He actually arose as a secondary character in the first novel I ever wrote, which will never ever see the light of day. I ended up falling in love with his rough manners and guilt complex, and thus Draugr took its first breaths. I wrote the first version of the story in six weeks, and knew for certain that this was a story and a character that needed to be shared.
"I tried to go more for a feeling of the mythology and the history, rather than a true retelling.
When I wrote my first full novel, The Gatewatch, it was originally only meant to be an extended backstory for the book concept which I’m now working on. It seems you had a similar experience with your first book Wergild and your current project, Draugr. What led you to make the decision to let Wergild lie idle for a time while you write Draugr?
Funny how side projects can slip past us and become main projects! Wergild was the first novel I ever truly finished. It taught me how to complete a long project. I wrote and rewrote for six straight years, and shed lots of blood and tears over it. But in the end, I knew it just wasn’t the right story to be telling. It broke my heart, but ultimately, setting it aside freed my creativity up to rewrite Draugr. There are elements of Wergild that I will take with me along Leif’s journey, happily. I’ll always be grateful for the lessons it taught me.
"It broke my heart, but ultimately, setting it aside freed my creativity up to rewrite Draugr."
I really enjoyed the excerpt of Draugr that you posted to your blog! Where can we track the release of Draugr and stay up to date on your future writing projects?
Thank you! There are actually a couple of excerpts on my blog, so readers can get a good taste there. I am currently in the revision process, but I hope to be finished and querying agents by autumn. I am very active on Twitter, and I frequently post progress reports there. I also hope to be announcing a new mystery project in the next two months. Stay tuned!
"My dream trip would be to Sherwood Forest, no contest.
You are currently querying for Wordweaver, the first novel in your fantasy series. How has that process been and do you have any advice for writers who are preparing query letters?
The process of querying has been difficult, but it’s improved my writing immensely. There’s so much information out there about the best querying tips and practices, and everyone has their ideas on the best way to do it. I think the best advice is just to keep working and adjusting your letter with each query, and try not to get discouraged. Most of the querying process seems to be just waiting for responses, and it’s hard to stay positive when your inbox is filled with rejections. But I believe there’s a plan for each of us, and that fulfilling any dream mostly comes down to timing.
As a writer, a teacher, and an artist you have a diverse creative palette. How do you balance and manage your creative projects while sustaining your creative energy?
I’m lucky enough to teach classes I love, which also allow me to be creative during the work day. I do many projects alongside my students, so I have constant access to fresh new ideas and perspectives. If I do start to feel burned out, I take a break from one outlet to focus on another. Currently I’m spending more time reading and drawing, to give myself a break from all the revision I’ve been doing.
"I do many projects alongside my students, so I have constant access to fresh new ideas and perspectives.
As you mention on your website, as a teacher at a small school you teach many different subjects including Spanish and German. Does teaching and speaking these languages influence your fantasy world? Does any other subject that you teach feature prominently in your writing?
Teaching languages has definitely influenced my worldbuilding. The two countries at war in Wordweaver are loosely based on Norway and Ancient Rome, so many of the character and place names come from those languages. The other subjects I teach are art and music, which I often use to enrich the culture and history of the worlds I write.
"The two countries at war in Wordweaver are loosely based on Norway and Ancient Rome,
Wordweaver is the beginning of Six’s story, though not from his point of view. I started it as a NaNoWriMo project in 2013, and I’ve been working on the trilogy almost exclusively since then.
"It turns out when I wrote “he” it looked like a “6” to my brother,
One of the greatest joys and challenges of creating a fantasy world is managing the use and effect of magic. How does magic work in Wordweaver and how did you create your framework for magical abilities and limitations?
The magic system in my book is called Wordweaving. Only things that could normally occur in nature are possible through Wordweaving, which does limit the system as a whole. A Wordweaver could not turn a rose into an apple, for example, or create something from nothing. Wordweaving can also only be performed if the Wordweaver is in physical proximity to the intended object, so they could not affect something across a room. The strength of the Wordweaving varies from person to person. Just like any other talent, it is up to the Wordweaver to develop their own abilities.
From its description, the characters in Wordweaver face some historically relevant threats including invasion, a monarch’s ambition, and slavery. Were there any historical stories or sources you drew on while writing the novel?
I’ve always been fascinated by WWII history, and though I didn’t intend to base the story on specific events, there are definitely similarities. The man who rises to power after assassinating the royal family bases his political platform on a sensationalized form of patriotism. In Wordweaver’s sequel, several scenes are based on my research of the French and Polish undergrounds during German occupation, especially when it comes to the involvement of women in the resistance. That, plus my aforementioned affinity for Robin Hood legends, usually leads me toward stories where the main action is more subtle and strategic than in battles involving brute force.
"In Wordweaver’s sequel, several scenes are based on my research of the French and Polish undergrounds
Wordweaver is not the end of your story! With two more books on the go, Ravenshield and Everheir, what can readers expect to see from you next and where can they stay up to date on your most recent projects?
There are so many stories I want to tell, and I’m excited to start working on some new ideas (including one story featuring a female pirate and her timid male research assistant.) I share project updates as well as book reviews, poetry, and writing tips on my website and am looking forward to hearing from other writers, teachers, and anyone else who needs a break from reality!
To stay up to date on Wordweaver's journey towards publication follow Rachel on Twitter!
"I’ll be honest and admit that there is something rather lovely about a good whisky!"
If I could, I would love to spend an afternoon with Ernest Hemingway. My uncle introduced me to his work at a young age, Fiesta: The Sun Also Rises was incredible and the first novel he gave me, I’d never read anything quite like it. Hemingway had a wonderful ability to describe human nature, how complicated we are as beings, and how destructive we can be to one another. I also fell in love with his descriptions of each new landscape and location.
"Hemingway had a wonderful ability to describe human nature, how complicated we are as beings,
We have discussed our mutual interest (i.e. obsession) with all things related to vikings on several occasions, but I’d like to know where it all started for you. Were you always drawn to viking history and the Norse myths? Was there a particular author, book, or event that first sparked your interest?
Growing up I was very lucky to have a wonderful grandfather who shared many authors, books and ideas with me from a young age. He encouraged me to read as often as possible and to try many different subjects. He had a love for history and genealogy, Norse myths and sagas were a deep interest he passed on to me, on both sides of my family there are links to the Viking past of Ireland, Scotland and the Scottish islands. I remember sitting as a child and looking at the bookcases filled with leather bound books and the smell that comes with old worn pages, my grandfather introduced me to Tolkien and The Hobbit, to the tales of Erik the Red, and the Saga of the Volsungs, for that I’ll always be grateful.
"I remember sitting as a child and looking at the bookcases filled with leather bound books
Children of Midgard, as told through Liv’s eyes, offers a unique female perspective of the Viking Age world which is so often presented through male-dominated narratives. Recent archeological discoveries have also stoked increased interest in women of the Viking Age and continue to broaden our perspective of the diverse roles they played in that society. What sources would you recommend for readers who want to learn more about women in the Viking Age?
We are currently experiencing a very exciting period regarding the discovery of archaeological evidence, conversation, and theories of women in the Viking age. With Liv, I wanted her to remain a strong individual while observing the fact that she had to make decisions based on the fact she was a woman caring for a child on her own in the Viking era. From reading the sagas and poems of the Norse I knew women were strong characters, they were driven and capable, but I knew I needed to delve a little deeper than that. I read the Gragas, which is an amazing document, if a little heavy at times! I also read a number of books by well known names including Judith Jesch, Johanna Katrin Fridriksdottir, Carolyne Larrington, Hilda Ellis Davidson, Jesse Byock, Anders Winroth, Gwen Jones, and possibly a few more! I have a book addiction!
"From reading the sagas and poems of the Norse I knew women were strong characters,
In our last conversation you mentioned that you had been digging into the research archives to learn how children were raised in the Viking Age. Have you come across any major differences between how children were raised then and how they are raised today? Would you adopt any Viking approaches to child-rearing over today’s culturally accepted wisdom?
I don't have children myself, so I certainly would not claim to have experience of, or know, what the best method for bringing one up in this day and age might be. That being said I have the joy of children and teenagers within our extended family, and what I have noticed is their curiosity, appreciation for honesty, and wonderful imaginations. I think children are extremely adaptive and in many ways develop strategies and mechanisms to deal with situations that can surprise adults. In some ways I think that applies to children in the Viking era, their childhoods were not what we would consider very long, particularly easy going, or free from labour. From the sagas we have glimpses of situations young girls and boys found themselves in, that violence played a part in their lives which is significant given the world in which they lived, and again the Gragas (medieval Icelandic lawbook) is a marvellous tool giving us an insight into how the law regarded them.
"From the sagas we have glimpses of situations young girls and boys found themselves in,
"I quickly started to realise that even though there might be great distances and cultural differences present in various myths and legends, there were also similar ideas, characters and messages."
If I could suggest any materials for readers and listeners to try it would be the works of Joseph Campbell, Hilda Ellis Davidson, and perhaps podcasts that look at philosophy as well as history, myth and legend, it might give them the sense of discovery it gave me. My goal with the podcast is to share and encourage the tradition of storytelling, to fire an interest or curiosity in our past and provide glimpses into the world in which our ancestors lived.
"My goal with the podcast is to share and encourage the tradition of storytelling,
What can you tell us about your next big project and where can we find more information about your writing and your podcast?
Currently I am editing my next manuscript which is due for release this summer, it's an exciting project that I’ve been developing over the past few years. The art of storytelling is such an important part of my life, and I wanted to create that intimate feeling of being within a circle by the campfire, the magic of hearing tales that perhaps no-one else had ever heard before, and I think this new book is what I had imagined. The podcast is going from strength to strength, my listeners are wonderfully supportive, I’ve really enjoyed discussing so many ideas and stories we all have to share. I’ve been very fortunate to have friends, both new and old, on the show and the community that I’m so very lucky to be a part of is wonderfully talented, encouraging and enthusiastic. Gosh, so in short, a new book and lots more podcasts!
Siobhan Clark's The Children Of Midgard is available in Waterstones, Barnes & Noble, and on Amazon.
She also has a limited number of signed copies!
Follow her on Twitter at Siobhán Clark (@siobhancoda) and at the Myth Legend & Lore Podcast (@LoreMyth)
Find the Myth Legend Lore Podcast on iTunes or Podbean
I recently had the pleasure of being featured as a guest on the Myths, Legends, and Lore Podcast hosted by my good friend Siobhan Clark (also the author of Children of Midgard). Listen in on our conversation about the Norse myths, their influence on our work, and habits that cultivate creativity. The episode also features an original musical arrangement of The Song of the Nidavel from The Gatewatch!
Find more amazing podcasts by Siobhan by following The Myth Legend & Lore Podcast on Twitter.
"I can’t stomach olives, that’s the one food I cannot grit my teeth and power through,
What does a typical day of writing look like for you? Do you have any rituals or habits that help to keep you focussed or make your session more productive?
It really depends a lot on the project(s) I’m working on, but more often than not I find my writing to be sporadic. While I do push myself to work every day, the amount of work I get done varies depending on my mood, if I’m rested, or headspace. I am careful not to end up in situations where I am forcing myself to write or feeling pressured to because I believe all of that greatly hinders my creativity. When I do sit down to write though, I will usually listen to some music to get me in the right headspace, never any songs with lyrics or singing, usually background music from video games or orchestral pieces.
What first drew you to writing and what keeps you writing after years of going at it? Do you have specific goals in mind, like publication, or do you write for other reasons?
My first introduction to writing was a high school teacher I had. He really encouraged me to try creative writing and was a supporter in my beginning days. Since graduating, the thing that inspires me is other people’s work, funnily enough, I think especially the work I dislike. When I read, see, or even play a piece of work that doesn’t make me feel anything, my head fills with ways I would have written it differently. I’ve never been the kind of person to have long term goals in mind, and the same rings true for writing. Whether it be a novel, poetry, or a quick short story, my primary concern is to create things I like and am ultimately proud of, but that being said, publishing is also a major goal with Injectable Ashes specifically.
"When I read, see, or even play a piece of work that doesn’t make me feel anything,
You have lived with mobility challenges for most of your life. Do you feel like this influences your writing in the perspectives of your characters or do you not view this as an influencing factor?
I have lived with a nervous system disability for most of my life, so it’s hard to say it doesn’t dictate at least some of my writing. I can say there are absolutely elements that have been addressing my disability metaphorically; in fact, you might be able to break down the entire storyline into one giant allegory. And as much as I preach about separating the author from their characters, eventually, details are naturally going to overlap.
"I can say there are absolutely elements that have been addressing my disability metaphorically;
What was it like to write the sequel to Injectable Ashes? Was it easier or harder? Did anything you thought was going to happen shift dramatically or did it play out as you planned?
It was considerably more stressful working on the sequel. Every creative decision I made required weeks of deliberation and planning. I became a perfectionist because of how much I love Injectable Ashes, not wanting to only match the quality I expect from myself, but to outdo myself. That was something that really weighed me down and made things considerably more difficult to conceptualize. But as for when it came time to put pen to paper and actually write, I was able to find my rhythm quite quickly and pick up right where I left off. Initially, I thought I had a pretty firm idea in how the story would turn out in the sequel, but what I ended up with was something entirely different, and a lot of those difference were changes I didn’t think of until I got to writing those parts.
"I became a perfectionist because of how much I love Injectable Ashes,
What is your next big project? Will you write a third book in the series or do you have something else planned?
I’m taking a break for a while from the novel, but I already have ideas cooking in the back of my mind for a third installment, so that will likely be the next major project I’ll be looking to conquer, until then though I’ll continue writing, working on music, poetry, short stories, or whatever else catches my interest.
To keep up with Brendan and his upcoming projects follow him on Twitter.
"My weapon of choice would have to be the double-headed ox-horn axe, a fierce-looking weapon."
What does a typical day of writing look like for you? Do you have any rituals or habits that help you become more productive?
My rituals are nothing special. I make sure I have my coffee and cigars on hand, and sometimes, I like having whiskey in my coffee. My typical day starts out early (4:30 am/5:00 am), and I shut down my computer at 7:30pm to clear my head before going to bed at 9:00pm. Right now at this moment, I am doing rereads and rewrites of my storyline for Thorgil’s third book (The Vultures of Khurasan). Right now, the story stands at 159,000 words with 21 chapters, and 12 illustrated inserts by Pablo Marcos.
If you could travel back in time to converse and drink a horn-full of mead with any viking in history who would it be and why?
It would have to be Harald Fairhair, the first king of Norway (850-932). Harald is responsible for unifying Norway into one kingdom. He was as we say in the military; a warrior’s warrior, a true badass.
"I make sure I have my coffee and cigars on hand, and sometimes, I like having whiskey in my coffee."
In reviews of your books Thorgil Bloodaxe has been compared to such iconic fantasy characters as Conan the Barbarian. However, in a wider social context, characters such as Conan have come under fire recently for portraying masculinity in a certain light. What do you hope to contribute to the wider conversation about masculinity and ‘being a man’ through Thorgil’s epic exploits?
I write to write. I do not worry about all the social norms of today. It seems as if every day, one group or another finds a reason to be upset over something. My main character Thorgil Bloodaxe is all man, a military man who is not politically correct. If you are upset about something he may have done or said, he does not care. I served in the Marine Corps from 1980-1990. In the military, we are all brothers. We have a certain way of talking and joking around. Civilians who never served will never understand a military man. When I write about Thorgil, I rely on my time as a Marine.
"When I write about Thorgil, I rely on my time as a Marine."
There are many incredible pieces of art featuring your character Thorgil Bloodaxe on the Facebook fan page. Do you have any advice for writers who want to get art made for their novel?
Over the years, I have commission many talented artists/illustrators to render Thorgil Bloodaxe in their artistic fashion. In 2012, I commissioned Bart W. Sears to give Thorgil his classic look. Bart owned his own company called Ominous Press, and has worked for Marvel Comics, and DC. Bart is well known for his articles in Wizard Magazine called Brutes and Babes.
From 2012-2014, I commissioned a young talented artist named Savy Lim. Savy liked the character of Thorgil Bloodaxe. He asked for my permission to illustrate the larger-than-life warrior. I liked what he submitted to me and I commissioned him for my second Thorgil book (Shadow of Death). Savy Lim illustrated and colored the 2nd book’s front cover, and illustrated the book’s inserts. Savy’s rendition of Thorgil Bloodaxe is used as a reference for all illustrators that I commission. I tell them I am not looking for a new look for my main character.
From 2014-2017, I was blessed to be able to commission a legendary illustrator who has over 50 years of artistic talent under his belt. Pablo Marcos took an interest in Thorgil Bloodaxe. Pablo way back in the 70s, worked for Marvel Comics on such titles as The Savage Sword of Conan (the black and white magazine), Red Sonja, and the Zombie. I always enjoyed his illustrations in the Conan magazines. I commissioned him to illustrate the 3rd book’s artwork (The Vultures of Khurasan). Oscar Gonzalez who worked with Pablo at the Edgar Rice Burroughs Inc., colored the ink illustration. For the 3rd book, I have 12 illustrations from Pablo. They will be placed at the end of several chapters in the book to fire up the imagination of the reader.
Advice for any writers who would like to commission an artist:
Savy Lim illustrated and colored the 2nd book’s front cover, and illustrated the book’s inserts. Savy’s rendition of Thorgil Bloodaxe is used as a reference for all illustrators that I commission. I tell them I am not looking for a new look for my main character.
"You will get what you pay for. Be professional when dealing with the artists. Show them the respect."
You’ve published two books in the Thorgil Bloodaxe series which are available on Amazon, Enter the White Queen and The Shadow of Death. Is there a third book in the works or are you working on a different project?
Yes, there is a 3rd book. It is titled Thorgil Bloodaxe: the Vultures of Khurasan. It will be released in late 2019, featuring the amazing artwork from Pablo Marcos. Right now, the story stands at 159,000 plus words with 21 chapters. Formatted into a 6x9 book, it will be around 400 pages. Allow me to share the back cover blurb:
In a savage world ruled by the sword, with armies cutting red swaths across the lands, only one man heroically stands above them all. He is the mercenary leader Thorgil Bloodaxe. His name is well known and respected from the far eastern lands to the western lands.
They say that Thorgil has fought in so many conflicts and battles over the span of his lifetime that he cannot name them all. Therefore, when the Caliph of Baghdad called upon him and his warriors to aid him with the conflict in his troubled land, the mercenary leader did not hesitate to accept. One more battle added to the long list did not matter to him.
With his warriors, they join the Caliph's high-commander to trek to the hostile mountains of Khurasan, where they must confront a rebel leader and his fanatic followers known as the Vultures, putting an end to their terror spree against the Abbasid Caliphate.
Find out more from Ralph E. Laitres on the Thorgil Bloodaxe fan Facebook Page.
What does a productive day of writing look like for you? Do you have any habits or rituals that help you stay focussed or be more productive?
I’m currently working on ritualizing 1,000 words a day minimum. I’ve been all over the place, ranging from zero to 8,000 in a single day. A good day is when I’m in a state of flow, when the words seem to come of their own accord. That only comes if I’ve been regularly writing for a few weeks. Habits right now are hard to form, because I have three toddlers. But I do have a special writing station, I have noise cancelling headphones and my favorite 16th century choral music station on Pandora, and sometimes, that works.
"I do have a special writing station, I have noise cancelling headphones
What is the greatest obstacle between you and your writing?
Myself. Having a self-defeating mindset that feeds on internal negativity. Sometimes I can’t write. Then I hate myself. But recently I’ve gotten pretty good at just forcing myself to work through it. Still have some bad days, though.
Your work is inspired by the Russian Folktales; I can relate as my work is based off the Norse Myths. Where does the writing process start for you: with an original idea or with the folktale?
Good question! The folktale is the frame for me, the backbone. I don’t study it or read it; it’s inside me already, I grew up with them. So within that world that I know, I then start to think about original ideas inspired by the tropes of the fairy tales. If I’m stuck, then I’ll read a folktale I haven’t read before, and often I’ll get weird tangential ideas for mythical creatures or obstacles or conflict that way. It’s fun.
"The folktale is the frame for me, the backbone. I don’t study it or read it; it’s inside me already, I grew up with them."
But there’s something about them that engages very intrinsic parts of human beings, no matter what the culture. Tolkien talks about this, modern neurobiology confirms it with interesting studies on brain scans. Basically, there’s something about fairy tales that can tell a deep truth in a way that goes straight to the heart, sometimes even bypassing the brain. It’s some like incantation or music, which is more experiential than rational.
"there’s something about fairy tales that can tell a deep truth in a way that goes straight to the heart,
What is next for you creatively? Do you have another project on the go?
I’m taking a very long time editing book 4 of my series, which is a novella, but has taken longer than almost any other book I’ve written. It’s got a lot of emotional stuff in it, which I need to get right. And I’ve been battling… what do they call it? crippling self-doubt? Something like that. I’m also working on a screenplay with another writer, a historical fantasy set in the early days of medieval Russia, when the Russians were basically Vikings. It’s been fun.
Where can we find more about you and your work?
I blog about Russian folk history and culture, and I write book reviews on my website, where you can find all my books as well. You can also find me on Facebook, Instagram and Pinterest, where I share images that inspire my writing.
Read more from Nicholas and find his Raven Son series on his website.